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    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020
    Open a larger version of the following image in a popup: Aikaterini Gegisian x MACK, Handbook of the Spontaneous Other, 2020

    Aikaterini Gegisian x MACK

    Handbook of the Spontaneous Other, 2020
    Embossed linen hardback
    17 x 24 cm, 144 pages

    ISBN 978-1-912339-69-3
    March 2020
    © Aikaterini Gegisian courtesy of MACK

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    In Handbook of the Spontaneous Other, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed...
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    In Handbook of the Spontaneous Other, Aikaterini Gegisian brings together a diverse range of found photographic material produced in Western Europe and the USA during the 1960s and 1970s. Composed of a series of 59 collages, the book playfully recontextualises images from popular culture that Gegisian has sourced — from pornographic magazines, tourist catalogues and National Geographic spreads — in order to subvert the way that the body, nature and pleasure have been represented in Western capitalist fantasies.

    Divided into nine chapters that follow a metaphysical narrative of colour and sensation, the book ultimately seeks to locate a ‘spontaneous other’; a notion of the self and of pleasure that exists beyond the confines of popular culture and its dominant modes of representation.

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